Showing posts with label Resident Evil. Show all posts
Showing posts with label Resident Evil. Show all posts

Tuesday, October 15, 2013

Top Five: Scariest Video Game Enemies

It's almost Halloween which is, spoiler alert, pretty much my favorite time of the year. So here's the first of my Halloween-themed posts: a list of the scariest video game enemies that I have ever faced. 

1. Regenerador (Resident Evil 4)


Resident Evil 4 was my first serious FPS play-through. Until then, I had been devoted to fantasy games, mostly those on Nintendo consoles because that’s basically what my family had. Resident Evil 4 is the game that made me addicted to action shooters. Which is strange, considering the number of times this game scared the crap out of me. One of the situations that stand out the most is when I was forced to face the Regenaradores. The Regeneradores are test subjects, infected with leech-like Plagas that you must shoot in order to kill the Regenerador. Of course, when you first meet these baddies, you can’t see the Plagas, leaving the Regeneradores almost indestructible. These creatures lurch down the hallways at you, ready to take you down. They’re the closest thing to a zombie that you see in the game, and are scarier for it. You can unload clip after clip in them, but until you can see the Plagas they just regenerate and heal the damage. In a survival horror game—or as near to a survival horror game as you get with the recent REs—you don’t want to waste ammo like that. In fact, if you do, it makes the next three Regeneradores you face all the more panic-inducing. I had to replay one area a couple of times because I just didn’t have enough bullets to protect Ashley and get past the Regeneradores. She kept dying, and I kept having to face these creepy and nearly indestructible baddies over and over again.

Honorable Mention: Chainsaw Ganado



The Chainsaw Ganado comes at you in the first town you visit. I entered into combat with him completely unsuspecting—and then he rushed me and insta-killed me. As the chainsaw ripped through Leon’s shoulder and he died screaming, I shrieked and paused the game in order to regain my composure. In my next attempt, I managed to time a window escape so that I crawled out right into the sweet embrace of rippy, bloody death. Needless to say, the rest of my attempts had me running around in full-on panic mode, just trying to avoid this guy.

2. Dead Hand (The Legend of Zelda: Ocarina of Time)




The year is 1998. I am ten years old, and my grandmother gave my siblings and me a N64 for Christmas. That N64 came bundled with The Legend of Zelda: Ocarina of Time—and I fell in love. I happily went through most of the dungeons, hardly blinking at the baddies…until I had to go into The Well. There, I met the scariest baddie I had ever met—the Dead Hand. The thing about the Dead Hand that really got to me was that you had to allow the enemy to grab you before he would come out of the ground and allow you to attack him. When he grabbed you, though, you were trapped until you could break away. You had to make yourself almost defenseless. And sometimes, as a ten-year-old, I wasn’t very good at whole “breaking away” thing. Terrified, I was finally able to defeat the Dead Hand. And then…I encountered another one in the Shadow Temple. I walked into the room, saw the hand stalks…and spent at least five minutes psyching myself up for the battle. The thing still crepes me out today.

Honorable Mention: Re-Dead


I have a lot of the same issues with the Re-dead as I did with the Dead Hand. However, you can eventually handle the Re-dead really easily, which is why they’re only an honorable mention. Still, the memories of the first time one of these baddies tried to suck the life out of me gets them on this list.

3. Gatherers (Amnesia: The Dark Descent)




I’m starting to see a trend with these baddies and that trend is that I don’t like to be helpless. I like to be able to shoot an enemy in the face and, if it’s particularly creepy, double-tap just to be sure it’s dead. The Gatherers scared the hell out of me. You can’t fight them—all you can do is try to avoid them or run from them. If they see you, the swoop down on you in moments. It drives you crazy to see them, so your screen is blurring and shaking while you try to find a safe place to hide. It does not make for a relaxed gaming experience. In fact, it was after only my second encounter with a Gatherer that I said “lol, nope,” turned off the game, and didn’t have the courage to pick it up again for a week.

4. Slender Man (Slender: The Eight Pages)




Yet another baddie that you can’t do anything against. You begin the game by walking through the woods with a flashlight that requires you to conserve power. Slender Man stalks you through the woods as you try to collect eight pages, only appearing to you after you collect the first one. When you see the Slender Man, you vision gets static-y and you hear loud noises. As you collect more and more pages, Slender Man appears closer and closer to you. You can run from him, but as you progress in the game you find that you run slower and slower. If he touches you, it’s game over—you’re his now. Slender Man, and the game itself, is minimalist horror at its best. It’s an incredibly effective scare.

5. Infectors (Dead Space)




These things are scary as hell, but at least you can shoot the shit out of them. That’s why they’re last on my list-of-scary-enemies-that-doesn’t-really-have-any-order-except-what-I-just-mentioned. Infectors prey on both the living and the dead and—as you can tell by their name—try to infect people and turn them into Necromorphs. They can usually be heard coming, which just adds to their ability to induce fright—especially since you usually hear them munching on corpses. Often enough, though, the Infectors won’t give warning of their attack. They’ll just swoop down on you out of nowhere, causing you to try not to shriek in terror as you make that plasma cutter earn its keep.

Did your choice make the list? If not, let me know which enemies YOU think are scarier in the comments!


Saturday, April 6, 2013

Best Video Game Character Introductions

Earlier this week, IGN ran an article called The Best First Encounters in Video Games. It listed those character introductions that the author thought were the coolest or had the biggest (personal) impact on the player. While I agreed with the ones that I, myself, had experienced, there were a few that I thought were missing. So here's my addendum to this list--Geekphoria's Official List of Best Video Game Character Introductions. This includes re-introductions, but it must be you seeing or meeting the character for the first time in that game. So while you may know a character from a previous iteration in that franchise, if you haven't interacted with him or her before then it totally counts for this list. The list is also female-heavy, but that's probably just because female characters were largely absent from the initial list.

Warning: There may be some spoilers.

Sheik (The Legend of Zelda: Ocarina of Time)

From zeldauniverse.net
     Part of my decision to include Sheik may be nostalgia--if you've been around the blog at all, you'll know that I'm a huge fan of Ocarina of Time. It was the first game I got with my N64, and the first thing I played when I was old enough to really enjoy all aspects of a game. It's why I'll always be loyal to Nintendo, even now that I've moved on the world of HD FPS and RPGs.
     When Link awakens in the Temple of Time, it's obvious that things are not as they were when he was transported into the Chamber of Sages. Once you go outside, you see that Hyrule--though never innocuous-has been transformed into a dark and scary place. Although Sheik is certainly not a warm and fuzzy, when he appears you know you're not in this alone. Sheik catches you up on what you've missed out on, and sends you on your way with as much help and guidance as he can (while still keeping that air of mystery). Sheik is also, obviously, very bad ass. I remember wishing I could play as Sheik (which, technically, you can in Super Smash Brothers: Brawl, but it's obviously not the same). At the very least, I wanted to be best bros. When Sheik shows up, you know someone else is out there to fight the good fight which is good--although you're the hero of time, no hero should be alone.


Clementine (The Walking Dead)

From walkingdead.wikia.com
     As Lee Everett, you find yourself alone as the world begins to fall apart around you. You've seen the dead come back to life, you've been chased by them, and you're searching for help. Of course, this is the zombie apocalypse, and instead of finding help you're almost eaten. Clementine appears to help you, giving you the tools you need to kill the zombie and escape. She tells you that she has been hiding in her treehouse since the world went to hell. The zombie who attacked you had been her baby-sitter--her parents were out of town, which you know if you listened to the answering machine. She also informs you that she considered dropping a hammer on your head as you walked under the treehouse, is case you were a bad man. She's introduced as a character who definitely has some capacity to take care of herself--though she's still a kid and, you suspect, now alone in the world.  It builds up the character in your mind, while still keeping you sympathetic and making you want to take care of her. It's probably the greatest introduction on this list.


Wheatley (Portal 2)

Taken from FastCompany.com
     Ah, Wheatly. In Portal 2, you wake up in what appears to be a hotel room. It doesn't seem like any of the events of the original portal have taken place--that is, until Wheatley shows up and the whole facade falls away. Wheatley is introduced as a companion and a rescuer. He's going to help you escape from Aperture, which has definitely seen better days. Wheatley's introduction is great because he appears to be a slightly bumbling but helpful little robo-consciousness and is entertaining while helpful. Of course, then he teaches you the lesson that power corrupts. Without this initial introduction, though, Wheatley would be nothing more than GLaDOS 2.0.


Bonnie MacFarlane (Red Dead Redemption)

From RockstarGames.com
     Bonnie is introduced shortly after she saves your life. When you were left to die at the side of the road (something that apparently happens to John Marston more than it should), she takes you to the doctor and lets you recover at the ranch she and her father run. It's great to see a female character introduced as a savior, and the first few minutes of character building show that Bonnie's tough, strong, driven, and competent. I wish the character was a little more developed throughout (you spend most of the game away from her and the ranch after this set of quests), but Bonnie certainly makes a good first impression.



Jill Valentine (Resident Evil 6)
From Gamespot.com
     Jill Valentine is the only character on the list that was first introduced outside of the listed game. Jill, of course, is a hero in her own right. We've played as her, and kicked zombie and bad guy ass. We know that she has everything under control and--thanks to cut scenes--know that she has died fighting Albert Wesker. Of course, later on in the game we find out that she hasn't died. Wesker introduces her to us again, but she's under some type of mind control (and suddenly blonde). Chris suddenly experiences ALL OF THE EMOTIONS, but so does the player. Here's a character you've grown attached to over the years, rendered as a fraction of herself and not under her own control. You want to help Jill, but it's not really a damsel-in-distress moment (especially as she proceeds to kick your ass). You want Jill to get back to being awesome, and that's now your main motivation.


Do you agree with my choices? Disagree? Let me know in the comments.

Sunday, March 10, 2013

My Favorite Heroines

Hey everyone! I made a list of my favorite heroines to put up on International Women's Day, and then completely forgot and put up an edition of Gamer Drama instead. So, here I am, fixing that oversight. Here are my five favorite heroines, from all types of media. Following that, I asked my friend Gabrielle to give me her list of five heroines and, boy, did she deliver. I briefly considered going back and making my descriptions longer, but then I looked at all the work I have to do, and decided that you'll have to just enjoy hers more than mine :).

Amanda
1. Alanna of Trebond and Olau (The Song of the Lioness Quartet by Tamora Pierce)



Alanna was my first real hero. I read the Song of the Lioness quartet when I was in fifth grade, and I wanted to be Alanna. I made myself a sword out of cardboard, and imagined myself on all sorts of adventures. She's powerful, has realistic flaws, and taught me about the value of hard work. She's talented at many things, but had to work or overcome fears to reach that level of aptitude. She has successful relationships, she has relationships that crash and burn, but she's always confident. Part of the reason that the reader becomes so attached to Alanna is that you follow her journey every step of the way, from an eleven-year-old page to blooded knight and King's Champion. Alanna's a loyal friend, an unmatched knight, and my own favorite hero.

2. Buffy Summers (Buffy the Vampire Slayer)



I spent many years with Buffy Summers, and while sometimes she would annoy me (see most of Season 6) she was always able to step up and defeat the Big Bad. Buffy has some problems and some flaws, but is more realistic for them. These issues are never permanent, and she is able to overcome issues and develop as a character. She can sometimes be the reluctant hero, but will always end up doing her duty. She's surrounded by friends who keep her from becoming The Job (see the AU in the episode The Wish), and that is ultimately what keeps her invested in it. Her friends and family remind her that the world is worth saving when things get bad. She's dedicated to those around her, even to the point of making the ultimate sacrifice to save the world (not that that lasted long, but still. Good intentions).

3. Zelda (The Legend of Zelda: Ocarina of Time)


In Ocarina of Time, Zelda becomes one of the coolest heroines in video games (probably the coolest if you count only NPCs). Zelda proves herself to be strong, responsible, and capable--except for that little issue where she gets kidnapped near the end. We'll ignore that, though--a trophe is a trophe, and I don't think it takes much away from what she does up to that point in the game. She was able to keep her head while fearing for her life and set our hero on his journey, she guided him later--at great risk to herself--and gave him the tools he'd need to do his part. She's even the reason he lives through the end of the game: otherwise, Link would have died as the castle crumbled. I thought that Sheik was the most bad-ass character ever and, when he was revealed to be Zelda in disguise, I knew I had found a new hero.

4. Silk Spectre II (Watchmen)



Yes, yes, the costume is a little tight, but what superhero's isn't? Silk Spectre II/Laurie may seem like a strange character to put on this list, but hear me out. She's tough, and doesn't flinch when facing a hall of bad guys (or a fiery building). She holds her own in a fight. She embraces her sexuality, but not in a way that's over the top. And she stands up for herself, and refuses to be taken advantage of. All around, a great heroine.


5.  Eowyn (The Lord of the Rings)


As one of three women featured in the Lord of the Rings triology, I became attached to Eowyn pretty early on. She's the only human woman you see, and she actually does something that contributes to the greater good. Galadriel is the Elven sorceress, and therefore unattainable, but you could be Eowyn. Of course, the character is much more fleshes out in the movie. She seems a little out of her league, at first, but rises to the challenges that are put before her. She's attracted to Aragorn, but it doesn't define her. Most importantly, she's the only one at the Battle of Pelennor Field who can defeat the Witch-King of Angmar--an essential part to the victory over Sauron. Why can't we all just be Eowyn?


Gabrielle

When Amanda asked me for a list of my top five heroines, I thought it would be pretty easy. But then I actually tried to narrow it down, and I realized I couldn't decide. Not because there aren't a plethora of awesome female characters out there, but because I had trouble coming up with women that serve as the driving force of their own story(arch) without being totally cliche and bland or something. Because let's face it, finding truly strong, admirable female characters is a hard task. There are tons and tons of nifty female characters, but finding ones I'd genuinely call "heroine" isn't nearly as easy. So the following list is in no particular order, and every so often, there are a few caveats. But these all come from various aspects of my nerdry and niche interests. And before you get all angry and huffy at me, I didn't include Buffy because while I'd never say her character is bad, and I do think she's a kickass heroine, I just don't like her as her as much as the ones I went with- I'd want to hang out with all of the ladies on my list, but I wouldn't want to hang with Buffy. That being said, then,  if you aren't familiar with the characters or stories I'm about to address... well, think of a line from this first lady. (Hint: SPOILERS)



1. River Song (Doctor Who


The caveat for her is when I found out she's Amy and Rory's daughter, I was less excited every time she had a scene or was being mentioned. So maybe part of why I my rating of her went down a few notches has to do with my visceral hate for Amy Pond- the thought of River Song coming from her loins shook me beyond belief (believe me, I was filled with anger and despair for a good couple hours). But, you can't help what family you're born into*, and Rory is a pretty awesome dude to have making up part of your zygote. So, half of her ancestry aside, River Song is one of the cleverest, wittiest, badassiest characters I've ever met. All you need to hear is that trademark, " 'Ello, sweetie." And you know the rest of the episode is going to wash you over with so much awesome, you may want to shower when it's over. Sure, she's one of those impossible characters, in the sense that there really isn't anything she's not good at (although we've never seen her try to cook... maybe her weakness is a grilled cheese sammich). But it works for her, and isn't remotely exhausting (as it can be in other situations).  She does so many important things for the story, and being the Doctor's wife (and Amy and Rory's daughter, for that matter) is a very minimal part of that- she helps the Doctor and his companion(s) get out of myriad pinches, provides all sorts of tantalizing teasers for the audience, and is almost always a step ahead in a given situation. And if she's not entirely in control, she takes control, rather than sit back and panic. The moments where she's panicked or upset are some of the most intense moments I've had as a television viewer, because if River f***ing Song is freaked out... it's time to freak out. She's magic- and not in the hokey sense. I admire her intelligence, her ginormous skillset, adaptability, and perseverance. This last one, especially, because her other trademark line, "Spoilers," is just so utterly moving, when you think about it- the first time we meet her is the last time she's alive (in the sense that her actual body is walking around and stuff), and every time we see her subsequently, the knowledge of her eventual fate and what leads to it lies in the background. "Spoilers," isn't just a way of protecting The Doctor- it's a way of protecting herself. 

*I also really had a lot of trouble buying the bit where they ret-conned her as being this uber best friend that had never made an appearance before and then all of a sudden we're supposed to believe she'd been around since Rory and Amy had been kids. That, I try not to even think of- it was just so utterly stupid, was completely unnecessary, and again, there hadn't been any sign this third party had existed until that episode aired. Maybe I would have liked that if it had been written better, but it wasn't, so I don't. So sue me.

2. Emma Woodhouse (Emma by Jane Austen)

I'm going to cheat a little with this one. My first exposure to this character was through the movie Clueless, but be it Cher via Alicia Silverstone, Emma through Gwyneth Paltrow, or the Emma Woodhouse of the pages of the book itself, I've always been drawn to this character. I admire Cher's/Emma's strong desire to see everyone else around her happy, her skills in navigating within the constraints she's under, and her ability to admit fault or being incorrect (once it's shown to her). Also her introspection. She's a thinker, and a giver, and in terms of admirable female characters, she deserves a lot more props than she gets (in my obviously quite humble opinion). Sure, she wants to get married, but she doesn't take just any marriage, and would have been okay not marrying at all in order to care for her dad. Caring for her dad is gendered, too, sure, but hey, she couldn't own her own house, so being an "independent woman" back in her time was impossible. For the time period, Emma really pushes the boundaries of what was considered proper; and Cher is a great modern woman- recall that she does have high academic standards, and while she may argue her way up the GPA scale, the fact that she's being encouraged to do this in the current academic world is STILL, like twenty years after that movie was made, kind of batsh*t. Women negotiating for what they want? Perish the thought! Also, Emma Woodhouse's relationship with Mr. Knightly is one of the greatest love stories I've seen because it's not about a man sweeping a woman off her feet or rescuing her. It's about a strong woman realizing how important to her someone is and going for it- a friendship that turns into a love so strong, it's all they can do to run off and marry each other right away. But they don't, of course, in part because it would hurt other people about which Emma cares so much. I like her a lot more than the usual Jane Austen favorite, Lizzie Bennet, something I get flack for, but listen up. Any time Emma Woodhouse messes up, it's because she has purely good intentions- her snobbery comes from her compassion and affection for those she cares about (like, for example, deciding Mr. Martin isn't good enough for Hariet), not some inherent sense of betterness. Lizzie Bennet is both prideful and prejudiced (which c'mon, folks, shouldn't be anything new), but Emma is sincere and earnest, warm and gentle- but she has a fierce determination to help those she loves that isn't very common in the way she does it. Because I also get sick of the self-sacrificial lambs, and that's not really what Emma is. She's earnest and giving, but not to a ridiculous extent that makes you feel like you're about to retaste your lunch. 

3. River Tam (Firefly)


Oh, Firefly. I kind of want to cheat here, too, and put all four major female characters from that show down in one paragraph, but I'll focus on River because she's the one that moved me the most. (Also, I named my dog after her and my first pick- a double-nerd-entendre, I call it, muahaha.) She's entirely complex, and mysterious in a not-sexy way- the kind of way that makes you go, "Da fuuuuuu.....?" in like every episode at least once. She too proves herself a major badass when necessary, and even if you don't love the movie, who can honestly say they weren't totally overwhelmed with triumph when they show her standing in the sea of Reavers she had just mowed down by herself? If you didn't think that was major cool, stop reading right now and bury your face in a bowl of thumbtacks. Thanks. Anyway, she's also able to care for others, to the point where she'd give herself up to protect them- a few times in the show, and of course that aforementioned thing in the movie (and it's not in the eye-rolling/ vomit-inducing way mentioned above). She's this paradoxical combination of strength and grace, kindness and ironclad determinism, wisdom and childlike wonder... She just pulls a body in and makes one want to just sit in the same room to see what would happen. Sure, maybe with some body armor, but to see, nonetheless. I loved watching her grow and blossom, find herself amidst all the chaos of living on Serenity, and in spite of all that had been done to her. Like any other Firefly fan, I'm major bummed we won't ever know what she was going to do, or more about what had happened. However, as she stands, she's probably my favorite character on the show because she kept me guessing the whole time- and instead of it being bad writing, it was because the writing was so friggin' great. And while mental experiments could be considered a copout for a quirky character, the way this developed made her immensely strong, not weak. She hadn't offed herself, and she never actually hurt anyone she loved. And she was an allegory for so much going on around her- she highlighted some of the best and worst characteristics of the others on the ship, sometimes in herself, sometimes for pointing them out verbally. It may seem strange I'd pick a character so reliant on her brother, but I don't see it as a gendered relationship, I see it as a fiercely strong familial bond, a love between siblings that could destroy a space ship. Her relationship with Simon is one of the best bonds between characters I've had the privilege to see, and I only wish I could ever be that close to my own siblings. 

4. Molly Grue (The Last Unicorn by Peter S. Beagle) 


Also a character in a book I was first exposed to via film- the animated version of this book is still one of my favorite movies ever; the book remains one of my favorite books. Even as an adult, I recognize how good the story is. I love Molly because she's straight-forward, and imperfect. She's not the sweetest, kindest person, but when you get down to the nitty-gritty, the grime washes away and her spirit and heart are clean and pure. Her reaction when she first sees the Unicorn still makes me cry, whether I'm rereading the book or rewatching the movie (and it's a little different between the two, sure, but still just as gripping) (and need I point out, I have a good third of the book memorized, and all of the movie- so recrying... yeah...); also her reaction when the Unicorn is first transformed into a human (before her name Amalthea is given)- both show her honesty, strength, humanity, and compassion. Molly is awesome because she makes no pretense to hide that she's out for herself, but she never lets her own goals hurt others, nor is she afraid to care or show that she cares for others. And her inner tenderness comes out especially when she handles Amalthea and Prince Lir and their relationship. She's unconventional, but not because she's doing something like peel a potato with a teaspoon (although, "Cut away from yourself, not toward," and aimed at a prince is pretty telling of her bold nature)- she's unconventional because she adapts in order to survive and achieve her goals (see a pattern in these choices?), and she doesn't ask for more than she deserves; she's unconventional because she's not young and pretty, but rather somewhat older and worn (or at least experienced and beaten down); she's unconventional because she's wise without really conceptualizing or comprehending it, and what to her seems sort of "duh"ish is actually rather insightful or even brilliant- but she's by no means arrogant about it, either. On that note, she's humble when it's particularly important, otherwise she's extremely confident and self-assured (but again, not in a really haughty way). She's pragmatic and thinks things through, but she also still has a heart. And she recognizes and accepts her faults and flaws- something given more depth in the book, of course, since we're given windows into her thoughts, but it still comes across in the movie. I think she'd be really fun to have around- and reliable. She'd be the most loyal, dependable friend a person could have.

5. Jill Valentine (Resident: Evil series)


Another one I wish I could pick more than one lady from the same thing- tough choice between her and Claire Redfield. I at least mean the games, though- the movies... Meh... Anyhoo, so Jill. Talk about a kickass woman. And c'mon, she's the "master of unlocking" and stuff. Heh. But seriously, folks, what's not to love about her? And let's think about her and also how she's portrayed together, kay? She's smart, has a good skillset, is a good shot, adapts, and hey, for a female with a gun, she's pretty well-covered, skin-wise. I mean, holy crap, her boobs aren't flying around everywhere! Sure, she has a tube top and skirt in RE3, but that outfit is less suggestive than the tshirt and minishorts Lara Croft has in the original Tomb Raider games (bounce, bounce, bounce). Granted, her resourcefulness comes, to an extent, from whomever is playing as her, but the thing is, that resourcefulness is actually programmed into her by the game developmers. In other words, the game helps you figure it out so you can control her, but she's supposed to do all the things you make her do- so she'd be doing them, anyway. I know that doesn't make much sense, but meh. She, too, demonstrates all sorts of adaptive skills and yet a willingness to care for others. She is most definitely a survivor to which there aren't many matches. And can I just throw this out there: She's a special ops, paramilitary member. As in trained and kickass in physical fields systemically dominated by men. Not only does she hold her own around what had to be some major sexism and misogyny (note: pure speculation, of course, but c'mon, look at the sexual assault/ rape stats for women police officers and members of the armed forces. Yeah. ZING! So more like an educated guess), but she excels, even. So it's no wonder she'd be one of the few survivors in any of the unfortunate circumstances of the games. Sure, she may get help, but what makes her a strong heroine and admirable character is she admits when she needs it- hubris doesn't cause a downfall, and that's part of why she survives. She doesn't expect others to carry her, no, but she can fully admit when she needs assistance in getting up those God forsaken stairs or out of the room with the falling ceiling. Maybe her dialogue could have been better (I love puns, but even I can admit some of the one-liners, especially from the first RE, are kind of unforgivable), but you can't blame someone in the middle of a zombie virus outbreak for attempting to be humorous. Also, she's defined entirely by her own identity, not by her relationship(s) with another (or other) character(s), male or female. And for her to get her own survival horror game (RE3) is pretty unheard of, even now- survival horror is still a huge sausagefest.